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Artist Rules for Working With Clients

“When you are asked if you can do a job, tell ’em “Certainly I can!”  Then get busy and find out how to do it”….Teddy Roosevelt

How refreshing that is for clients to hear…”Certainly. I can!”  So many times they are told, “No, it can’t be done,” when the truth is anything can be done in the manner you want for a price.

Entertainment armoireBob and I have become the Venice, Florida go-to-people for projects that other companies turn down or would turn into their own projects.  It would be done their way, with their selected materials and end up not accomplishing what the client wanted in the first place. Ninety-nine point nine percent of the time we hit the nail on the head and the people are so pleased that we are showered with more business.

Our business success comes from living by these rules:

1.  First and foremost…get into the client’s head. Put aside your own preconceived notions and listen to what they have to say.  What do they really want?  Absorb their surroundings.  Find out about their roots, where they come from and why they moved to wherever it is they live now.  Is it a get-a-way home or a permanent residence?  Are they fun people or traditional people?

2. Find out what they want to accomplish with the work they ask you to do.  Do they want a feeling of paradise or the Orient?  Do they want functionality or decorative.  Do they hate the color orange or love it?  I always ask if mural clients have an aversion to lizards or dragonflies if I am doing a nature mural because I usually use these creatures in nature settings.  Some people hate them, most people love them.

 

 

 

 

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3.  Never argue and never say no.  If a purple flamingo with green eyes is what they want…give them a purple flamingo with green eyes no matter how you feel about it. (This is a hard one for an artist or a decorator) Even if you hate it, the purple flamingo with green eyes is what the client really wants.

4.  If the project is going to be expensive to execute the way the client wants, by all means present them with a couple of options; one exactly what they asked for and one with a less expensive alternative. Some will choose the more expensive way and some will choose the less expensive way.  Don’t be afraid to price the project for what it is worth.

5.  If you do have to say the dirty word “No”, have someone lined up who will do the job in the manner that you would be proud of.  Bob and I have learned over the years that whatever you take on that you hate doing will multiply.  We do not paint whole houses or do whole house faux finishes…except for very special people where the word “no” does not exist.

6.  Do your work as if you were doing it for yourself.  Superb craftsmanship whether you are working for  a company or yourself builds forever relationships.

7.  Always be honest.  Stand by your word and be truthful in what you say and do.  Having integrity not only endears you to clients it enables you to have a good night’s sleep.

The Weeks of Fifty Flamingos

The weeks..(yes, I said weeks)… of fifty plus flamingos has finally been delivered!  Have you ever had a job in your life that simply makes you crazy?  Something that seems so simple turns into an elephant on your chest at every turn?  I felt as fiftyflamingosthough my feet were stuck in mud sucking the life out of me.  It made me grouchy, which made Bob grouchy.  In the middle of the flock I swore I would NEVER do this kind of work again!

Then we made the delivery. The decorator loved it.  She love it so much that she said it was “perfect”…no corrections, additions or color changes.  She told me I had a “Warhol” style… and as quick as that it felt like those grueling weeks weren’t so bad after all.

So what did I learn from this experience?  (I’ve traveled this road before).  I recognize three trains of thought in the work that I do.  One….you create your own works of art exactly the way you want to on canvas or furniture and put it out there for sale through art shows, galleries or on-line. Maybe it will sell…maybe it won’t.

Two…you do commissioned work…working directly with the clients..creating works of art that enhance people’s lives and their homes.  They value your opinions and are open to possibilities.  The best thing of all is they are always full of joy when the job is complete and they always pay upon delivery.

Three…working with an interior designer.  They have their own artistic vision: therefore, you must stifle your own creativity and paint it the way they see it.  Unfortunately and fortunately…number three has been the most lucrative for me by far.  So why am I complaining?  The biggest problem is I feel a sense of loss of my own creative voice.  Yes, I painted it, but it was created by someone else’s vision.  For awhile I was teased into thinking that I would be allowed to paint it in my “style” but in my heart I knew that I should just shut up and paint it the way they wanted it in the first place.  So that’s exactly what I did.

I will probably try the decorator deal one more time.  The money is fantastic and I think I have decorators figured out.  Once you have them figured out you know what to expect and know how to feel when they tell you to change something or to just do it their way.  My dad always told me I was too emotional and as an adult I have tried to temper that and not get my feelings hurt by trivial things.  The other side of the coin is being emotional is what drives art; but there is a fine line between making great money and being a starving artist.  We’ll see what the future brings.

 

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